Thursday, August 2, 2012 Sunday, May 27, 2012
holdmyhandbeforeidrown:

You know what my point was? I love Doctor Who. Yup. So I doodle charcoal Doctor Who stuff while I’m bored learning the same things I already knew about evolution. (Oh just wait until I take history and English. Doodles all day!!!)

holdmyhandbeforeidrown:

You know what my point was? I love Doctor Who. Yup. So I doodle charcoal Doctor Who stuff while I’m bored learning the same things I already knew about evolution. (Oh just wait until I take history and English. Doodles all day!!!)

Saturday, March 24, 2012
whospam:

Giant Doctor Who Backpiece @ Geeky Tattoos
omg… go to the site and read the story behind this tattoo… gets you right in the feels.

whospam:

Giant Doctor Who Backpiece @ Geeky Tattoos

omg… go to the site and read the story behind this tattoo… gets you right in the feels.

Monday, March 19, 2012 Wednesday, February 29, 2012 Sunday, February 26, 2012
skpow:

CH-KRAAZZ!
Art by Martin Geraghty and David A. Roach, colours by Adrian Salmon, Doctor Who Magazine #353. Cover date 2nd March 2005
Glowing colours from Salmon, which work even better on the page in contrast to other panels. Geraghty’s art is as solids as ever, and he gives us a nice impression of melting cybermen.

skpow:

CH-KRAAZZ!

Art by Martin Geraghty and David A. Roach, colours by Adrian Salmon, Doctor Who Magazine #353. Cover date 2nd March 2005

Glowing colours from Salmon, which work even better on the page in contrast to other panels. Geraghty’s art is as solids as ever, and he gives us a nice impression of melting cybermen.

skpow:

SHRAKKK!
Art by Martin Geraghty and David A. Roach, colours by Adrian Salmon, Doctor Who Magazine #353. Cover date 2nd March 2005
Again Salmon has done fine work with the colours, it’s two panels later from the previous one and Geraghty conjures a disappearing TARDIS, fleeing from the flames.

skpow:

SHRAKKK!

Art by Martin Geraghty and David A. Roach, colours by Adrian Salmon, Doctor Who Magazine #353. Cover date 2nd March 2005

Again Salmon has done fine work with the colours, it’s two panels later from the previous one and Geraghty conjures a disappearing TARDIS, fleeing from the flames.